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Title : Silver Rococo Dressing Mirror at 1stdibs
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Silver Rococo Dressing Mirror at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice bearing in mind illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a extremely ornamental and theatrical style of beautification which accumulate asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, movement and drama. It first appeared in France and Italy in the 1730s and expansion to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the unmodified exposure to air of the Baroque movement.[4]The Rococo style began in France in the first allocation of the 18th century in the reign of Louis XV as a reaction neighboring the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon build up extra parts of Europe, particularly northern Italy, Bavaria, Austria, supplementary parts of Germany, and Russia. It also came to disturb the additional arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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