Silver Rococo Mirror

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice subsequent to illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg residence by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of gilding which accumulate asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, interest and drama. It first appeared in France and Italy in the 1730s and move forward to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice afterward illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg dwelling by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a terribly ornamental and theatrical style of gilding which combine asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, bustle and drama. It first appeared in France and Italy in the 1730s and enhance to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the firm excur