Large Silver Leaf Italian Rococo Style Mirror, circa 1820 at 1stdibs

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Large Silver Leaf Italian Rococo Style Mirror, circa 1820 at 1stdibs

Large Silver Leaf Italian Rococo Style Mirror, circa 1820 at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice in the same way as illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg quarters by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a extremely ornamental and theatrical style of embellishment which collective asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, pastime and drama. It first appeared in France and Italy in the 1730s and move ahead to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the total expression of the Baroque movement.[4]The Rococo style began in France in the first share of the 18th century in the reign of Louis XV as a salutation against the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon press forward supplementary parts of Europe, particularly northern Italy, Bavaria, Austria, supplementary parts of Germany, and Russia. It furthermore came to disturb the new arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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