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Title : Large frame mirror in carved, gilded and silver wood Rococo style Italy mid 18th century
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Large frame mirror in carved, gilded and silver wood Rococo style Italy mid 18th century

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice in imitation of illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg house by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a severely ornamental and theatrical style of ornamentation which collect asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, bustle and drama. It first appeared in France and Italy in the 1730s and evolve to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the final outing of the Baroque movement.[4]The Rococo style began in France in the first allocation of the 18th century in the reign of Louis XV as a salutation neighboring the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon press forward further parts of Europe, particularly northern Italy, Bavaria, Austria, further parts of Germany, and Russia. It plus came to pretend to have the extra arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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