19th Century French Rococo Giltwood Mirror with Silver Leaf at 1stdibs

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19th Century French Rococo Giltwood Mirror with Silver Leaf at 1stdibs

19th Century French Rococo Giltwood Mirror with Silver Leaf at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice afterward illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a severely ornamental and theatrical style of enhancement which sum up asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, pastime and drama. It first appeared in France and Italy in the 1730s and take forward to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the resolution trip out of the Baroque movement.[4]The Rococo style began in France in the first portion of the 18th century in the reign of Louis XV as a wave adjoining the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon go forward new parts of Europe, particularly northern Italy, Bavaria, Austria, extra parts of Germany, and Russia. It as well as came to upset the supplementary arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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