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Title : Monumental 19th C Rococo Oval Mirror at 1stdibs
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Monumental 19th C Rococo Oval Mirror at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice as soon as illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg address by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a very ornamental and theatrical style of enhancement which cumulative asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, endeavor and drama. It first appeared in France and Italy in the 1730s and press on to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the unlimited outing of the Baroque movement.[4]The Rococo style began in France in the first allocation of the 18th century in the reign of Louis XV as a tribute next to the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon momentum further parts of Europe, particularly northern Italy, Bavaria, Austria, additional parts of Germany, and Russia. It moreover came to impinge on the other arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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