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Title : Late 19th Century Rococo Style Mirror with Silver Plate FrameNYShowplace
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Late 19th Century Rococo Style Mirror with Silver Plate FrameNYShowplace

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice as soon as illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of titivation which accumulate asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, pursuit and drama. It first appeared in France and Italy in the 1730s and build up to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the resolved exposure of the Baroque movement.[4]The Rococo style began in France in the first share of the 18th century in the reign of Louis XV as a confession next to the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon further other parts of Europe, particularly northern Italy, Bavaria, Austria, further parts of Germany, and Russia. It afterward came to have emotional impact the new arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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