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Title : 19th Century Monumental French Rococo Floor Mirror at 1stdibs
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19th Century Monumental French Rococo Floor Mirror at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice afterward illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg dwelling by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a highly ornamental and theatrical style of embellishment which amass asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, occupation and drama. It first appeared in France and Italy in the 1730s and develop to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the utter drying of the Baroque movement.[4]The Rococo style began in France in the first portion of the 18th century in the reign of Louis XV as a reply next to the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon move forward supplementary parts of Europe, particularly northern Italy, Bavaria, Austria, supplementary parts of Germany, and Russia. It furthermore came to impinge on the new arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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