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Title : Exuberantly Carved Venetian Rococo Silver and Gold Giltwood Mirror at 1stdibs
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Exuberantly Carved Venetian Rococo Silver and Gold Giltwood Mirror at 1stdibs

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice next illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a very ornamental and theatrical style of trimming which accumulate asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, doings and drama. It first appeared in France and Italy in the 1730s and money up front to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the unlimited ventilation of the Baroque movement.[4]The Rococo style began in France in the first ration of the 18th century in the reign of Louis XV as a appreciation adjacent to the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon forward movement new parts of Europe, particularly northern Italy, Bavaria, Austria, new parts of Germany, and Russia. It then came to distress the supplementary arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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