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Title : French antique silver rococo large cheval mirror
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French antique silver rococo large cheval mirror

RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice in the same way as illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg address by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of ornamentation which gather together asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, goings-on and drama. It first appeared in France and Italy in the 1730s and further to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the conclusive exposure of the Baroque movement.[4]The Rococo style began in France in the first portion of the 18th century in the reign of Louis XV as a admission adjacent to the more formal and geometric Style Louis XIV. It was known as the style rocaille, or rocaille style.[2] It soon spread further parts of Europe, particularly northern Italy, Bavaria, Austria, other parts of Germany, and Russia. It in addition to came to have emotional impact the additional arts, particularly sculpture, furniture, silverware and glassware, painting, music, and theatre.

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