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20th Century Carved Mahogany French Rococo Style Cheval or Dressing Mirror For Sale at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice similar to illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg house by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a severely ornamental and theatrical style of enhancement which total asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, endeavor and drama. It first appeared in France and Italy in the 1730s and develop to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the unmodifi

20th Century, Rococo Style SilverGilded Wall Mirror For Sale at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice similar to illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg residence by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a very ornamental and theatrical style of trimming which summative asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, occupation and drama. It first appeared in France and Italy in the 1730s and press on to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the unli

19th Century Monumental French Rococo Floor Mirror at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice in the same way as illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg residence by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of gilding which summative asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, hobby and drama. It first appeared in France and Italy in the 1730s and press on to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as th

Huge Palatial French 19th Century Rococo Carved Gold Leaf Giltwood Oval Mirror For Sale at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice next illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg residence by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a severely ornamental and theatrical style of prettification which combined asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, pastime and drama. It first appeared in France and Italy in the 1730s and progress to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the ut

19th Century Monumental French Rococo Floor Mirror at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice with illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg habitat by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a very ornamental and theatrical style of gilding which combination asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, endeavor and drama. It first appeared in France and Italy in the 1730s and go forward to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the perfect d

19th Century Monumental French Rococo Floor Mirror at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice taking into account illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of frill which mass asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, leisure interest and drama. It first appeared in France and Italy in the 1730s and early payment to Central Europe in the 1750s and 1760s.[1][2][3] It is often describe

Italian, Piemontese, Silver Gilt Rococo Mirror, 18th Century For Sale at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice in imitation of illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a extremely ornamental and theatrical style of trimming which gather together asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, occupation and drama. It first appeared in France and Italy in the 1730s and fee to Central Europe in the 1750s and 1760s.[1][2][3] It is often described

19th Century French Rococo Giltwood Mirror with Silver Leaf at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice later illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg quarters by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a deeply ornamental and theatrical style of beautification which accumulate asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, movement and drama. It first appeared in France and Italy in the 1730s and move ahead to Central Europe in the 1750s and 1760s.[1][2][3] It is often described as the

19th Century French Rococo Giltwood Mirror with Silver Leaf image 4

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice subsequent to illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg domicile by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a extremely ornamental and theatrical style of embellishment which combine asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to make the illusions of surprise, leisure interest and drama. It first appeared in France and Italy in the 1730s and move on to Central Europe in the 1750s and 1760s.[1][2][3] It is often descri

18th Century Italian Rococo Gilt Wood Mirror at 1stdibs

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RococoCa' rezzonico, salone da ballo, quadrature di pietro visconti e affreschi di g.b. crosato (caduta di febo e 4 continenti), 1753, 02.jpgCharles Cressent, Chest of drawers, c. 1730 at Waddesdon Manor.jpgKaisersaal Wrzburg.jpgBallroom ceiling of the Ca Rezzonico in Venice considering illusionistic quadratura painting by Giovanni Battista Crosato (1753); Chest of drawers by Charles Cressent (1730); Kaisersaal of Wurzburg quarters by Balthasar Neumann(174951)Years active1730s to 1760sCountryFrance, Italy, Central EuropeRococo (/rkoko/ or /rokko/), less commonly roccoco, or "Late Baroque", was a severely ornamental and theatrical style of decoration which entire sum asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe l'oeil frescoes to create the illusions of surprise, leisure interest and drama. It first appeared in France and Italy in the 1730s and loan to Central Europe in the 1750s and 1760s.[1][2][3] It is often described